Digital Photography Technique a Little “Iffy?” Here’s Why!

January 17th, 2012

There are many wonderful aspects to the digital photography revolution – but there is also one major drawback. Since we don’t have to pay for film or processing, we just fire away hoping to get a “good one.” Our digital photography technique leaves a LOT to be desired!

Too many of us are learning to settle for – let’s face it, downright bad photos. We think that since it isn’t costing us anything, it doesn’t matter. We think to ourselves that we will fix it in Photoshop. Unfortunately, for most of our photos, either we never get around to “fixing” it, or it’s just plain unsalvageable.

When you bought your camera, did you want to create beautiful, jaw dropping images? Or did you want to sit in front of the computer all day trying to repair substandard images!

The relatively low cost of digital cameras these days and the fact that there is no film or processing cost is slowly but surely eroding our photography skills. Before long, there won’t be many photographers left who can create a “WOW” factor image. Or even recognize one when they see it.

If you want to sharpen up your photo skills and take full advantage of the major benefits of digital (no film or processing cost) the first step is to take your camera off automatic. That one simple step will allow you to take one GIANT step forward with your photography.

On automatic, the camera is simply going to use the most middle of the road settings. The cameras’ goal is simply to get enough light onto the digital sensor – with a shutter speed fast enough to avoid camera shake. There is no allowance for creativity. There can’t be…it’s a machine not a creative being. That’s your job!

Since there is no cost for processing, etc., this creates a wonderful opportunity for you to experiment with all the various aperture and shutter settings. As you are shooting and trying new experiments, write down your results in a shot notebook. It won’t be long, generally within days – before you’ll start to see amazing improvement in your photography.

Don’t be surprised if all your friends come to you for advice on THEIR digital photography technique. Try it, you’ll like the results! Before long, your notebook will be one of your more prized possessions! Each time you make a new creative discovery, you will have a record of it and can refer back to your notes whenever you want to duplicate that digital photography technique.

Digital Photography Techniques – Innovative Equipment, New Skills

January 17th, 2012

Virtually any musician older than 35 understands the steps you will need to undergo in the move from analog to digital. Every person interested in sound in the early 90s went through the agonizing process of comprehending just how recording to digital tape and hard disk was different from recording to an eight track cassette tape or to half-inch Ampex tape. When you proceed to digital, all the things change with the manner you make use of a mixing console. Your old EQ curves don’t make very much sense any longer, the microphone positions you’ve learned all change, and digital sound on a CD (remember them?) never sounds as warm and as saturated as vinyl right up until you discover how to tailor the recording process to digital tech. People felt exactly the same thing going from black and white film to color, and it’s really kind of the same thing in the transition from taking photos on emulsion covered film to all-digital. Your results at first may in some manner feel much less satisfying than the old images you were always accustomed to, however, if you learn the digital photography techniques you need to, you can only get far exceptional results.

Camera shake has always been a challenge that amateur photographers have had issue with – digital or analog. The particular thing with digital cameras is that they have big displays that you can see your composed shot on, from arm’s length. You don’t need to hold the camera up to your left eye in which the support of your hands along with your brow might help with the stableness. A digital camera therefore requires that you grasp with both your hands in the event that you do not have a tripod. Even when your frame composing technique does not require it.

Certainly one of the most confounding areas with modern cameras that need new technique is shutter speed. Digital photography techniques need new knowledge in terms of how you manage the sensitivity of the sensor. In conventional film, ISO 800 was film that react eight times as fast as ISO 100. An ISO 800 was also a lot grainier than ISO 100. In digital photography, it’s the same sensor with similar number of megapixels, no matter what sensitivity is. Nevertheless, you’ll still have the exact same kinds of outcomes – only now a faster shot has something called photo noise, and not really grain. And photo noise actually is a lot more bothersome to look at compared to grain as well. The default in a digital camera therefore needs to be 100 ISO for the crispest shots in most situations.

If utilizing the auto mode for the exposure environment just isn’t specifically the way you like, overriding it and capturing photos at higher sensitivity lets you capture quicker photographs in good light. You’ll typically have to do this when you are attempting to take a great shot during an indoor sporting event in which there is fast action, and not much light. You may also need to do this at a concert where you are not permitted to make use of your flash.

Let us talk a little now about the digital photography methods involved with setting the aperture – which is the size the shutter will open to once you push the button. They measure aperture size through a unit called f-stop. You will generally see settings for f/2.8, f/5.6,f/22 and many others. It’s a logarithmic scale – every step up basically increases the amount of light let through. The bigger the amount, the less the light that is let through.

Therefore exactly why would you want to alter your camera’s aperture? Actually, it has a fantastic impact on the area of your picture that’s in sharp focus – an attribute they name depth of field. The bigger your aperture, the smaller your depth of field. If you wish one of those fantastic effects in which just your key point of focus is sharp and the background fairly blurred, utilizing a huge aperture and a shallow depth of field is the best trick. You do not necessarily use only lenses to do this effect. You may also set your aperture the right way. And also auto mode normally, will be able to help you here.